Misguided Concealment

This is sixth in a series of guest posts written by “Sophie” of A Reasonable Quantity of Butter in celebration of Mansfield Park’s bicentennial.

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In many novels, much of the drama revolves around a concealment. These passages are especially irksome because great harm often comes from the concealment, and it would be so simple for the informed character to say something and avert the catastrophe.

Often these concealments arise from some romantic fancy. In Far From the Madding Crowd, Gabriel Oak conceals Sergeant Troy’s former relationship from Bathsheba out of a mistaken sense of obligation to Fanny Robin. In Bleak House, Lady Dedlock conceals her past from her husband, even though speaking out would completely disarm her enemy, because she fears losing her husband’s esteem. Other characters feel that it would be wrong to speak ill of someone, even when not speaking injures another person—a person who really has a right to know.

Whereas I have come to expect misguided concealments in novels such as those by Dickens and Hardy, I was surprised to meet one in Mansfield Park.1 Happily, it has no effect on the outcome of the story, but it is still there!

Fanny Price keeps important information from Edmund. As Edmund’s only confidant, she knows that, although he is deeply in love with Mary Crawford, several things would keep him from proposing to her: Mary’s love of money, love of prestige, and contempt for Edmund’s profession. In fact, these did at one point decide Edmund against marrying her. After his ordination, he purposely stayed away from Mansfield to avoid seeing Mary, intending to return only after she left.

Fanny is uncertain as to how much Mary’s fondness for Edmund may have overcome her worldly notions, and she must, in any case, leave Edmund to his own judgment. What good would it do to convey doubts and suspicions to a mind accustomed to excusing them? And what right had she to do so—would it not be only indulging her own envy?

But while in Portsmouth, Fanny receives confirmation of her fears in writing from Mary.2 There, in Mary’s own handwriting, is evidence that she loves money and position in society to the point of wishing Edmund’s brother dead, and looks forward to Edmund’s profession being concealed as a past disgrace!

Despite any attending awkwardness, I think Fanny should have forwarded Mary’s letter to Edmund. He had a right to know.

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1There is a misguided concealment in Emma, which is crucial to the plot, but Austen handles it much differently than the other authors mentioned. Also, in Pride and Prejudice, Jane and Elizabeth choose not to publish Wickham’s true character because he is leaving soon.

2“Poor young man! If he is to die, there will be two poor young men less in the world; and with a fearless face and bold voice would I say to any one, that wealth and consequence could fall into no hands more deserving of them. It was a foolish precipitation last Christmas [Edmund’s ordination], but the evil of a few days may be blotted out in part. Varnish and gilding hide many stains. It will be but the loss of the Esquire after his name. With real affection, Fanny, like mine, more might be overlooked.”—Mansfield Park, Chapter XLV

If Only

This is fifth in a series of guest posts written by “Sophie” of A Reasonable Quantity of Butter in celebration of Mansfield Park’s bicentennial.

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37th copyMansfield Park is a tragedy. Its readers often exclaim, “If only!”

The “if only” usually refers to the marriages of Fanny & Henry, Mary & Edmund. What happiness for them all! What fun for the readers to enjoy Henry’s and Mary’s felicity, and to see Fanny and Edmund learn to laugh at themselves, as Mr. Darcy did in Pride and Prejudice.

But this is impossible. As Austen wrote the story, tragedy was inevitable. Although she convinces us that Fanny and Henry could be truly happy together, she states that Fanny would only have married Henry after “a reasonable period from Edmund’s marrying Mary.”1 And, sadly, it seems that Edmund and Mary would not have been happy together.

In contrast to Henry, who, within a short time of falling in love with Fanny, began to change his actions2, Mary did not change for love of Edmund, although her affection continued for many months. In conversation, Henry moderated his tone and topics to Fanny, but Mary sharpened her tongue against Edmund. She ridiculed his principles rather than trying to understand them.

Also, Mary despised Edmund’s profession and would have been discontent with his income. Whereas marriage to Fanny would have been Henry’s moral salvation, marriage to Mary would have been Edmund’s moral condemnation. And Henry’s moral salvation—through Fanny, at least—could only happen by that sacrifice of Edmund.

And we all know what happens when neither of these couples marry. A tragedy.3

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1Chapter 48, Mansfield Park.

2I chose “actions” as distinct from “principles”. Henry did think about serious subjects more seriously while courting Fanny, but ultimately did not change his principles.

3Although Edmund did suffer deeply, this was a tragedy primarily for the Henry and Mary, as, ultimately, Fanny and Edmund lived happily ever after.

True Love?

This is fourth in a series of guest posts written by “Sophie” of A Reasonable Quantity of Butter in celebration of Mansfield Park’s bicentennial.

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Did Mary Crawford truly love Edmund Bertram? Put another way, this question could read, “Did Rosamund Vincy truly love Tertius Lydgate?” Or, does a woman truly love a man devoted to his profession, if she despises his profession? According to Tertius, the answer is “no”.

“Do you know, Tertius, I often wish you had not been a medical man.”

“Nay, Rosy, don’t say that,” said Lydgate, drawing her closer to him. “That is like saying you wish you had married another man.”

“Not at all; you are clever enough for anything: you might easily have been something else. . . . I do not think it is a nice profession, dear.” We know that she had much quiet perseverance in her opinion.

“It is the grandest profession in the world, Rosamond,” said Lydgate, gravely. “And to say that you love me without loving the medical man in me, is the same sort of thing as to say that you like eating a peach but don’t like its flavor. Don’t say that again, dear, it pains me.”1

Hugh Thomson illustration with captionIn a strikingly similar conversation, this question first occurs to Edmund and Mary:

“But why are you to be a clergyman? I thought that was always the lot of the youngest, where there were many to chuse before him.”

“Do you think the church itself never chosen, then?”

“Never is a black word. But yes, in the never of conversation, which means not very often, I do think it. For what is to be done in the church? Men love to distinguish themselves, and in either of the other lines distinction may be gained, but not in the church. A clergyman is nothing.”

“The nothing of conversation has its gradations, I hope, as well as the never. A clergyman cannot be high in state or fashion. He must not head mobs, or set the ton in dress. But I cannot call that situation nothing which has the charge of all that is of the first importance to mankind, individually or collectively considered, temporally and eternally, which has the guardianship of religion and morals, and consequently of the manners which result from their influence.” . . .

“I am just as much surprised now as I was at first that you should intend to take orders. You really are fit for something better. Come, do change your mind. It is not too late. Go into the law.”2

Although Mary is more intelligent and kind than Rosamund, the two share values in marriage: money and position. Mary is aware of the discrepancies between Edmund and her ideals, but Rosamund thinks she has found them in Tertius. When she learns that she is mistaken, she attempts to conform Tertius to her ideals, ultimately ruining him and their marriage. Tertius is at first filled with ambition to do good through his work, but Rosamund’s behavior causes him to lose his respect for himself, and with it a greater part of his ability to do good.

Could a similar future have awaited Edmund and Mary? Tertius and Edmund were similar men—both gentle, serious, and dedicated to their vocations. Attraction to Mary had already lead Edmund to act against his conscience during the play, and Fanny fears that Edmund would do more of the same if he married Mary: “God grant that her influence do [sic] not make him cease to be respectable!”3

The nature of true love is not to ruin and destroy. It is to adhere, to respect, to support.

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1Middlemarch, by George Eliot, Book V, ch. XLV

2Mansfield Park, by Jane Austen, ch. IX

3Ibid., ch. XLIV

Mary Crawford Quotations

Quotations from the antiheroine of Mansfield Park, the lively, worldly, and entertaining Mary Crawford:

1814 Ackermann's fashion plate - Walking Dress“I would have everybody marry if they can do it properly: I do not like to have people throw themselves away; but everybody should marry as soon as they can do it to advantage.” (Ch. 4)

“Oh dear! let him stand his chance and be taken in. It will do just as well. Everybody is taken in at some period or other. … In marriage especially. With all due respect to such of the present company as chance to be married, my dear Mrs. Grant, there is not one in a hundred of either sex who is not taken in when they marry. Look where I will, I see that it is so; and I feel that it must be so, when I consider that it is, of all transactions, the one in which people expect most from others, and are least honest themselves. … speaking from my own observation, it is a manoeuvring business. I know so many who have married in the full expectation and confidence of some one particular advantage in the connexion, or accomplishment, or good quality in the person, who have found themselves entirely deceived, and been obliged to put up with exactly the reverse. What is this but a take in?” (Ch. 5)

Miss Crawford soon felt that he and his situation might do. She looked about her with due consideration, and found almost everything in his favour: a park, a real park, five miles round, a spacious modern-built house, so well placed and well screened as to deserve to be in any collection of engravings of gentlemen’s seats in the kingdom, and wanting only to be completely new furnished—pleasant sisters, a quiet mother, and an agreeable man himself—with the advantage of being tied up from much gaming at present by a promise to his father, and of being Sir Thomas hereafter. It might do very well; she believed she should accept him … (Ch. 5)

“Three years ago the Admiral, my honoured uncle, bought a cottage at Twickenham for us all to spend our summers in; and my aunt and I went down to it quite in raptures; but it being excessively pretty, it was soon found necessary to be improved” (Ch. 6)

“Mr. Bertram,” said she, “I have tidings of my harp at last. I am assured that it is safe at Northampton; and there it has probably been these ten days, in spite of the solemn assurances we have so often received to the contrary.” Edmund expressed his pleasure and surprise. “The truth is, that our inquiries were too direct; we sent a servant, we went ourselves: this will not do seventy miles from London; but this morning we heard of it in the right way. It was seen by some farmer, and he told the miller, and the miller told the butcher, and the butcher’s son-in-law left word at the shop.” (Ch. 6)

“What strange creatures brothers are! You would not write to each other but upon the most urgent necessity in the world; and when obliged to take up the pen to say that such a horse is ill, or such a relation dead, it is done in the fewest possible words. You have but one style among you. I know it perfectly. Henry, who is in every other respect exactly what a brother should be, who loves me, consults me, confides in me, and will talk to me by the hour together, has never yet turned the page in a letter; and very often it is nothing more than — ‘Dear Mary, I am just arrived. Bath seems full, and everything as usual. Yours sincerely.’ That is the true manly style; that is a complete brother’s letter.” (Ch. 6)

%22The Marchioness of Northampton Playing a Harp%22 by Sir Henry Raeburn“My dear Miss Price,” said Miss Crawford, as soon as she was at all within hearing, “I am come to make my own apologies for keeping you waiting; but I have nothing in the world to say for myself — I knew it was very late, and that I was behaving extremely ill; and therefore, if you please, you must forgive me. Selfishness must always be forgiven, you know, because there is no hope of a cure.” (Ch. 7)

“Nothing ever fatigues me but doing what I do not like.” (Ch. 7)

“Oh! do not attack me with your watch. A watch is always too fast or too slow. I cannot be dictated to by a watch.” (Ch. 9)

“I must move,” said she; “resting fatigues me.” (Ch. 9)

“I often think of Mr. Rushworth’s property and independence, and wish them in other hands; but I never think of him.” (Ch. 17)

“I see no wonder in this shrubbery equal to seeing myself in it.” (Ch. 22)

“Well,” said Miss Crawford, “and do you not scold us for our imprudence? What do you think we have been sitting down for but to be talked to about it, and entreated and supplicated never to do so again?” (Ch. 22)

“Upon my word,” cried Miss Crawford, “you are two of the most disappointing and unfeeling kind friends I ever met with! There is no giving you a moment’s uneasiness. You do not know how much we have been suffering, nor what chills we have felt! But I have long thought Mr. Bertram one of the worst subjects to work on, in any little manoeuvre against common sense, that a woman could be plagued with. I had very little hope of him from the first; but you, Mrs. Grant, my sister, my own sister, I think I had a right to alarm you a little.” (Ch. 22)

“A large income is the best recipe for happiness I ever heard of.” (Ch. 22)

“Nothing amuses me more than the easy manner with which everybody settles the abundance of those who have a great deal less than themselves.” (Ch. 23)

“Foolish fellow! And so this is her attraction after all! This it is, her not caring about you, which gives her such a soft skin, and makes her so much taller, and produces all these charms and graces!” (Ch. 24)

“There, I will stake my last like a woman of spirit. No cold prudence for me. I am not born to sit still and do nothing. If I lose the game, it shall not be from not striving for it.” (Ch. 25)

“A poor honourable is no catch, and I cannot imagine any liking in the case, for take away his rants, and the poor baron has nothing. What a difference a vowel makes! If his rents were but equal to his rants!” (Ch. 40)

“Varnish and gilding hide many stains.” (Ch. 45)

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Illustrations: “Walking Dress” an 1814 Ackermann’s fashion plate and “The Marchioness of Northampton Playing a Harp” by Sir Henry Raeburn.

First Impressions of Mansfield Park

“How wonderful, how very wonderful the operations of time, and the changes of the human mind!” — Fanny Price (Mansfield Park, by Jane Austen, Chapter XXII)

I was looking through some of my old school papers and came across some writing that I did about Mansfield Park when I was between ten and eleven years old. I’m not sure whether I was writing about the book or the 1983 miniseries — probably the miniseries. The writing is riddled with misspellings and other mistakes. Obviously, I meant that Miss Crawford was Henry’s sister. I wrote that Henry Crawford marries Maria, that Lady Bertram is emotional (I’m not sure what I thought that word meant), and that Fanny was energetic. I called Sir Thomas, Sir Bertran, and had the mistaken notion that Henry Crawford was handsome. Alas for human wisdom at ten!

Caraistics of Mansfield Park

Mrs. Aunt Noris          May 4, 19—

Aunt Noris is Fanny Prices’ Aunt. She always wants what is best for herself. She orders Fanny about. She thinks ordering people about make her look better. She is Selfish, Self-Centerd, Arrogent, and she is a Miser.

Example #1: Fanny is going to visit her Family. Her Aunt Noris (trying to make people think she cares about her sister, Fanny’s mother) thinks she might go with Fanny. But after Lady Bertram (Fanny’s other Aunt) reminds Aunt Noris that she must pay her own way back, Aunt Noris changes her mind imiditly. She does not care about her poor sister (Fanny’s mother). This shows that she is self-centerd. She is trying to make her living on her rich sister (Lady Bertran).

Mr. Henry Crawford          May 5, 19—

Mr. Crawford wants all girls to be in love with him. He flurts with one girl while a while ago he was asking Fanny to marry him. He is dishonist, unloyle, rich, and handsome. Girls think he is just wonderful. He ends up running away with a married girl. Her husband divorses her. Henry dicides to marry her instead of Fanny.

Miss Crawford          May 5, 19—

Miss Crawford is Henry’s brother. She is Fanny’s friend, but she diseeves Fanny. Most People are diseeved by her, but Fanny suspecs her of tricking her. She is kind, dishonest, beutifull, tricky, rich, Friendly, and funny.

Sir Bertran          May 6, 19—

Sir Bertran is Fanny’s Uncle. He is very rich. He has good judgement. He is kind and handsome. He maneges the Family estate very well. He loves his family and takes care of them.

Lady Bertran          May 6, 19—

” is Fanny’s Aunt and Sir Bertran’s wife. She kind, gental, beutiful, graceful, emotional, loving, lazy, and funny.

Fanny Price          May 7, 19—

Fanny Price is the main charectur in Mansfield Park. She is Kind, beutiful, graceful, emotional, loving, gental, loyal, Friendly, unselfish, and energetic. She loves to ride horses. She reads aloud to her Aunt, Lady Bertran. Her cousin, Edmund, reads aloud to her. She studies with him. She is always ready to do anything she can to help (even her Aunt Noris). She is obedient. She will obey anyone when she thinks they are right. Like Sir Bertran, her Uncle, she has good judgement. In the End Of the Story Fanny marries Edmund